Another sector directly involved in the discourse we are making is that which modern culture has assigned – probably as an escape valve – to what is improperly styled the “irrational”, better identified by experts as the “ambiguous”: we are speaking of aesthetics.
Artistic intuition too today has been, in some ways, hypostasized, and the Homeric prototype of the blind seer, of the poet who needs no physical eyes because he has inner sight, still prevails, but but along the canons of an aesthetics run wild, detached that is from any metaphysical paradigm, which in the best of cases moves along the indeterminate, and in their turn neo-mythical, paths of psychologism.
